Haruna Jinja
Behind the main hall stands a great rock called Misugata-iwa, and that rock is the deity itself. The building is no more than a frame for worshipping it. The approach runs about 700 metres along the gorge.
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Behind the main hall stands a great rock called Misugata-iwa, and that rock is the deity itself. The building is no more than a frame for worshipping it. The approach runs about 700 metres along the gorge.
The temple where the Takasaki daruma began. Doll making, started as off-season work for farmers, became the local industry it is today.
A great rock into which the main hall appears to be set. The building is only a frame for worshipping the rock.
Forty-one point eight metres tall. It was a pioneer among Kannon figures built of reinforced concrete.
Hundreds of thousands of daruma fill the new year market. Off-season farm work became a local industry.
Eight in ten daruma made in Japan come from here. The eyebrows are cranes, the moustache a tortoise.
Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
In its grounds stands a copy of Antonin Raymond's own house - a key example of Japanese modernist domestic architecture.
Gunma has among Japan's densest burial mounds; the Watanuki Kannonyama grave goods are a National Treasure.
Eight in ten of Japan's daruma dolls are made here, their brows drawn as cranes and beards as tortoises.
The hut where the exiled Bruno Taut lived and wrote on Katsura, changing how Japanese architecture was judged.
Halls built against a giant rock, covered in the polychrome carving of the province's shrine sculptors.
A land that once held over 10,000 burial mounds; its haniwa figures are the core of ancient art in eastern Japan.
A large theatre by the station, designed around acoustics as home to the Gunma Symphony.