Miyagi Museum of Art
One of Kunio Maekawa's finest buildings, with a wing devoted to the sculptor Churyo Sato.
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One of Kunio Maekawa's finest buildings, with a wing devoted to the sculptor Churyo Sato.
Stencil-dyed works by Living National Treasure Keisuke Serizawa, shown with the folk objects he collected.
Five thousand kokeshi dolls arranged by regional lineage, beside butterflies and Western-style paintings.
Nine workshops in one hamlet, where the three trades behind a Sendai chest can be watched separately.
Colour lacquer over silver powder, shifting like a jewel beetle's wing; developed for export in the 1930s.
Zelkova grain glowing through lacquer, dressed in hand-forged iron mounts; its size came from storing swords.
Three bronzes by Italian sculptors stand in the median of a zelkova-lined boulevard.
A 100-metre white Kannon; visitors climb inside past 108 Buddhist figures.
Swords dedicated to the first shrine of Mutsu province, with the tools of its salt-making rites.
The ancient seat of government in the north, keeping one of Japan's three oldest inscribed stones.
Black slate inkstones made here for six centuries, once the source of most inkstones in Japan.
Curators' own photographs and salvaged objects from the 2011 disaster, shown as a permanent exhibition.
The only kokeshi lineage whose heads squeak when turned, still turned and painted in the hot-spring street.
Wiped lacquer that keeps the grain visible, grown from the same woodturning trade as kokeshi.
Yajiro kokeshi wear thick lathe-turned rings on the head, recognisable at a glance.
Paper strong enough to be sewn into clothing, supplied to the Todaiji Omizutori rites.
Three thousand paper streamers, each shopping street spending a year making its own.
A shrine precinct crowded with inscribed stones, a small forest of calligraphy.