Aichi Prefectural Museum of Art
A systematic 20th-century collection, holding one of the very few Klimt oils in Japan.
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A systematic 20th-century collection, holding one of the very few Klimt oils in Japan.
Four collecting pillars, including a rare Japanese holding of the Mexican muralists, in a Kurokawa building.
The Owari Tokugawa treasury intact, including the 12th-century Tale of Genji scrolls - shown a few scenes a year, each November.
The treasury of the shrine of the sacred sword, holding over 6,000 dedicated blades shown in rotation.
Three centuries of French painting hung in order, with a room where visitors may sit on Galle and Majorelle furniture.
Its annex is a fine sukiya house, where tea is served looking into the garden.
Tea utensils rearranged each season according to the logic of a tea gathering, not of art history.
Edo tea houses moved into the garden, so the utensils and the rooms they were made for sit on one site.
Over a hundred distinct resist techniques - tied, stitched, clamped - grown as souvenirs for travellers on the Tokaido.
A restrained, near-monochrome yuzen; the related craft dyes a kimono black while leaving the family crest white.
Silver wires outline the design on copper before the enamel is laid in; Meiji exports made it famous worldwide.
Among Japan's largest public ceramics museums, running from the ancient Sanage kilns to the present, with kiln sites on the grounds.
The oldest and largest of the six ancient kilns; its iron-rich clay fires vermilion, and its teapots are said to soften the tea.
Three-tiered floats with clockwork puppets performing on top, each hung with 365 lanterns after dark.
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
For a painter who kept working in an era that gave women little room, on the site of the house where she was born.
Most of Japan's woollen cloth is woven here; the district supplies luxury suiting worldwide alongside Italy.
For an artist who moved freely between craft and painting; small, but nationally respected for its exhibitions.
Japan's only museum of roof tiles, re-presenting an industrial product as form.
Floats hauled down onto the beach itself, their carvings and embroidered hangings standing on the sand.
Built inside like a miniature temple, finished by five separate trades working in sequence.
Narrowed to modern Nihonga and especially bijinga, with a substantial group of works by Uemura Shoen.
A Buddhist temple enshrining a fox deity; a thousand donated stone foxes stand massed in one corner.