Noto Kiriko
Huge votive lanterns move through the town at night. Recognised as Japan Heritage.
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Huge votive lanterns move through the town at night. Recognised as Japan Heritage.
Ninsei's pheasant incense burner is a National Treasure; the crafts the Kaga domain nurtured are all gathered here.
The national crafts collection, moved from Tokyo into two relocated Meiji army buildings.
A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
Masks and robes of the Kaga Hosho school, with masks visitors may wear to feel how narrow the sight becomes.
More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
Ninety-nine percent of Japan's gold leaf, beaten to one ten-thousandth of a millimetre - the gilding of Kinkakuji and Nikko alike.
Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
Gold and silver hammered into cut iron, a technique born on armour and now turned to jewellery.
Three and a half centuries, father to son: bowls formed entirely by hand without a wheel, under an amber glaze.
Rooms divided by style, so the bold colour fields of old Kutani can be set against the later fine red painting.
Five overglaze colours covering the surface entirely; the kiln died out once, and each revival changed its style.
Held to have Japan's finest woodturning: blanks cut with the grain, then scored on the lathe in hairline rings.
One painter's swing from wartime documentary painting to lush postwar nudes, shown in his home town.
In the birthplace of Hasegawa Tohaku, painter of the Pine Trees screens, and holding an annual exhibition of his work.
Powdered diatomaceous earth in the ground coat and 124 divided steps make it the toughest lacquer in Japan.
Said to be the world's only museum devoted solely to lacquer, comparing Japanese work with Chinese and Southeast Asian.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
Head shrine of 3,000 Hakusan shrines, keeping Heian-period guardian lions among its offerings.
The city takes in young craftspeople for three years; their workshops are open, so the daily work is visible.
Stacked geometric volumes laid out by feng shui, standing on an island hill.
A tumbler doll shaped as a swaddled infant, painted red to ward off smallpox.