Teshima Art Museum
A concrete shell in the shape of a water drop. Not a single column inside.
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A concrete shell in the shape of a water drop. Not a single column inside.
Buried entirely underground to spare the island's skyline, showing three artists only, and lit by daylight alone.
A museum you can sleep in; artists chose their own sites here and made the works for those places.
For an artist who works only in stone and steel plate, half-buried in a valley between hill and sea.
An old house rebuilt with red glass in the garden so the whole site reads red, and a mirrored tower at its edge.
Postwar art and Sanuki lacquer as twin pillars - this province has produced an unusual number of Living National Treasures.
Noguchi's studio and stone yard kept exactly as he left them - finished and unfinished works standing side by side.
Granite so fine-grained it is called the diamond of stone; Noguchi settled here to work it.
Three techniques that all cut into built-up lacquer; the province has produced an unusual number of Living National Treasures in them.
Plant-dyed thread stitched over a ball into geometric patterns; the craft died out and was reconstructed.
Nine in ten Japanese fans; handle and ribs are split from a single length of bamboo.
Sugar pressed in cloth again and again to draw off molasses, then formed in carved wooden moulds.
Threads floated at intervals to raise the surface, so the cloth barely touches the skin in summer.
Made as offerings for the great shrine, using a technique that winds a single bamboo strip in a spiral.
Over eight hundred lion troupes in one prefecture, each with its own embroidered body cloth.
A stone-cutting town; Noguchi worked with its masons, and sculptors have come for the stone ever since.
Lacquerware of Takamatsu. It has the carving techniques of kinma, zonsei and choshitsu. Tamakaji Zokoku founded it by copying Chinese techniques.
The prefecture's lacquer art institute. It passes on kinma and other techniques to the next generation.
The lacquer art exhibit of the prefectural museum. It holds Kagawa lacquerware in its collection.
Lines are carved with a blade into a surface built up with layers of lacquer and filled with colored lacquer. A representative technique of Kagawa lacquerware.
A technique in which patterns are drawn on a lacquer ground with colored lacquer, then finished with line carving and gold powder.
A technique in which dozens of layers of lacquer are built up and carved into to show the colors of the cross-section.