Shizuoka Prefectural Museum of Art
Collecting landscape painting East and West, with a Rodin wing of 32 works including the Gates of Hell.
299 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Collecting landscape painting East and West, with a Rodin wing of 32 works including the Gates of Hell.
No collection of its own; a gallery set inside a station-front commercial building, in the middle of the commute.
For the Living National Treasure of stencil dyeing, in a stone building that ranks among Seiichi Shirai's best.
Bamboo shaved into round rods and slotted together - other regions use flat splints, so its curves are unique.
Begun when Ieyasu gathered craftsmen at his retirement capital, and carried from vessels into furniture.
Three National Treasures, in galleries remade by Hiroshi Sugimoto in black plaster to rebuild the light for the objects.
Collects 20th-century art on one theme alone - the human figure; Japan's first museum devoted to that century.
A Buddhist wing and a modern wing, built on decades of surveying the Buddhist sculpture of the peninsula.
For Chohachi Irie, who modelled pictures in plaster with a trowel; plasterers came from all Japan to build the museum itself.
A private museum of Japanese swords, its lighting designed specifically to reveal the grain and temper line of a blade.
A Kamakura-period lacquer box, National Treasure: plum branches in gold powder with shell inlay, a summit of medieval craft.
Built for a living painter; the world's largest holding of Bernard Buffet, in a building by Kiyonori Kikutake.
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
In the castle park, with prints and maps of the Tokaido highway through this town.
For a Nihonga painter who kept returning to India; Fujimori built it of earth and paper, and visitors walk it barefoot.
One of Japan's three great cotton districts, where mills deliberately keep old shuttle looms to weave a slower, thicker cloth.
A hundred and seventy neighbourhoods fly their own crested kites and cut each other's lines; the designs are civic emblems.
One of the kilns favoured by the tea master Kobori Enshu, firing dark iron-rich clay into austere tea caddies.
Fibre fermented out of kudzu vine and woven into a silk-like cloth, once used for sliding doors and wall covering.
Kiln sites scattered along a river whose clay fed them, and whose water fed the dye houses too.
Craftsmen gathered to build the shrine and stayed; the woodworking line runs from altars to furniture to model kits.
It began with one man repairing an organ, and became a world centre - a trade needing both woodwork and metalwork.
Hina doll accessories of Shizuoka. Small furnishings to be set out on the hina tiers are made. Suruga has continued as a production area for hina accessories.
Hina dolls of Shizuoka. The head and costume are made up and the doll is dressed.