Yamaguchi Prefectural Museum of Art
In the province where Sesshu spent his last years, and also built around Kazuki Yasuo's Siberian internment paintings.
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In the province where Sesshu spent his last years, and also built around Kazuki Yasuo's Siberian internment paintings.
Made by the Ouchi lords for trade with Ming China: gold lozenges and autumn grasses on vermilion.
Said to have been started to fund the rebuilding of Todaiji, and made here for over eight centuries.
The traditional furnace that supplied iron for the shipyard - old technology feeding a new industry.
In the birthplace of Kano Hogai, who pushed Nihonga into the modern era; the museum traces how he got there.
Japan's first international open-air sculpture competition; sixty years of prize works have filled the park.
Cut from a fine-grained local stone that grinds ink smoothly, its edges carved with dragons and pines.
Striped cotton that sold widely in the Edo period, lost, and reconstructed from surviving samples.
Two pillars: a painter of Siberian internment, and the photographer who took the famous portrait of the novelist Dazai.
A painter who rendered his Siberian captivity as 57 canvases in black and ochre alone, shown in his home village.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.
A married pair in Ouchi lacquer, their faces barely drawn - the form and the vermilion do the work.
Tea seeps into the crazing and the colour keeps changing - the maker does not decide when the bowl is finished.
A performing tradition that died out entirely and was reconstructed in the 1970s, costumes and all.
The families of the abducted Korean potters still run kilns here - a transfer of technique preserved as lineage.
Ouchi patronage left many medieval images here, showing how the capital's style shifted in provincial hands.
The Hagi Ware Museum. It exhibits the history and tools of the production area.
The kilns of Hagi. They carry on the lineage opened by potters who came from Korea, as the official kilns of the Mori clan.
Fukawa Hagi of Nagato. A lineage that branched off from the official kilns of Hagi.
The bamboo craft of Yamaguchi. An everyday craft handed down along the Hagi Okan road.
The goldfish lanterns of Yanai. The shape of a goldfish is made from bamboo and washi. They are said to have been started by a merchant who had seen the Nebuta of Aomori.