Koshu Inden
Lacquer patterns laid onto deerskin. A technique from armour, turned to accessories.
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Lacquer patterns laid onto deerskin. A technique from armour, turned to accessories.
Opened as 'the Millet museum'; a pioneering case of a regional museum collecting one European school in depth.
The painter walked the Silk Road 150 times; his canvases hang beside the Gandharan sculpture he brought back.
The world's only museum devoted to Keith Haring; the route runs from a black tilted entrance out into light.
On a closed school site, architects each built one work - from a circular block copying a Paris artists' hive to a tea room in a tree.
The home of a dyer who independently revived tsujigahana dyeing, which appeared from the Muromachi to Momoyama periods; his kimono are hung in rows that form one continuous landscape.
Cloth dolls of such density they read as sculpture, by a maker who works only in cotton.
Collecting one mountain only; photographers who spent lifetimes on Fuji can be compared side by side.
Crystal from the local gorge carved and polished by hand; the stone ran out but the skill founded a jewellery industry.
Founded by a Nobel laureate with his own funds, and collecting women artists exclusively - rare in Japan.
Paper for calligraphy, made since the 1500s and still varied sheet by sheet to control how ink bleeds.
A paper town that also makes fireworks - the shells are wound from paper, so the two trades grew together.
The exact spots Hokusai and Hiroshige drew can still be stood on, and the compositions checked against the view.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
Stone that weathers to rust-red, quarried for gardens; the craft includes choosing and setting it, not only cutting.
A temple-gate trade in Buddhist implements, the beads turned and the tassels braided by separate hands.
A jewellery quarter grown out of crystal carving, its cutting, setting and lapidary studios packed into the city.
A white granite peak worshipped as a body of the god, its climbing path punctuated by stone shrines.
In this basin the roadside deity is not carved into a figure but is simply a rounded stone - a form found almost nowhere else.
Mulberry from the silk fields was worked into furniture once the trees were finished - a cycle of material and craft.
The Oishi tsumugi of Fujikawaguchiko. Everything from sericulture to weaving is done here.
The handmade washi of Nishijima, Minobu. Gasenshi paper for calligraphy is made here.
The warrior banners and carp streamers of Koshu. Decorations for the seasonal festival, dyed by hand on cloth.
The handmade washi of Ichikawamisato. Shoji paper is made here. Ichikawadaimon has continued as a washi-producing area.