Ehime Prefectural Museum of Art
Inside the castle moat, and holding the papers of Hisui Sugiura, who founded Japanese graphic design.
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Inside the castle moat, and holding the papers of Hisui Sugiura, who founded Japanese graphic design.
One of twelve surviving keeps, ringed by lesser towers and defended by stone walls climbing the slope itself.
A working public bath that is also an Important Cultural Property, extended so often that its interior became a maze.
Themed on one novel; Ando gave it a triangular plan and hung an unsupported ramp through its void.
For the poet who modernised haiku by preaching sketching from life; his own drawings and sickbed manuscripts survive.
Around forty percent of all Japan's designated National Treasure and Important Cultural Property armour is in this one shrine, dedicated by sea warriors after each victory.
Japan's only museum devoted to a single living architect: a faceted steel pavilion beside his own relocated house.
Galleries stepping down a slope, each sculpture set with the Inland Sea behind it.
A circular wall with no roof: the sculptures stand in the open, taking rain and sun.
Yarn is bleached before weaving so it keeps its loft, in water soft enough to make that possible.
Seven and a half centuries of tile-making, smoked at the end until silver; its demon tiles are the tiler's sculpture.
Sold from boats that carried bowls as far as Kyushu; built for durability rather than display.
Built by townspeople to mark an emperor's accession, saved from demolition by campaign, and still playing.
Enriched by vegetable wax; its plaster is tinted pale yellow rather than white, for 600 unbroken metres.
A wax magnate's house with its workshops intact - the whole process of pressing wax from sumac berries, preserved as architecture.
Ten years in the building; even the flaws in each timber were used as design, and the ceiling is woven to catch light off the river.
Rebuilt in real timber from Meiji photographs and a carpenter's model - the best-documented castle reconstruction in Japan.
Its outer wall is an irregular pentagon, said to be built so besiegers would misread it as a square.
A post town of continuous Edo and Meiji houses, with Western-style buildings mixed in among them.
A pseudo-Western school built by local carpenters, the oldest surviving in Shikoku, with its textbooks still there.
A Showa shopping street rebuilt at full size, and a major holding on the Shikoku pilgrimage.