Fukushima Prefectural Museum of Art
Pairs the masterwork of Shoji Sekine, dead at twenty, with a collection of Andrew Wyeth watercolours.
247 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Pairs the masterwork of Shoji Sekine, dead at twenty, with a collection of Andrew Wyeth watercolours.
One of the world's largest Dali collections - 340 works - assembled by a single businessman at the foot of Mt Bandai.
Beside Tsuruga Castle; Aizu's dense Buddhist heritage means Heian sculpture is unusually well represented.
A wooden double helix where those climbing and those descending never meet - a structure with almost no parallel.
The only castle keep in Japan roofed in red tiles - glazed to survive the Aizu frost.
A 38-room chief retainer's mansion reconstructed, showing how rank was expressed in space.
Begun when Gamo Ujisato brought lacquerers from Omi; known for auspicious motifs and sprinkled gold.
A red papier-mache ox with a nodding head, made to ward off plague - the colour itself is the charm.
One of Tohoku's oldest pottery districts, and rare in firing both earthenware and porcelain.
Fukushima's only National Treasure building, raised by a daughter of the Hiraizumi Fujiwara and designed with its reflection in mind.
A pioneering case of a regional city collecting contemporary art, strong in American work of its own era.
A museum for the frog poet, stretched along a ridge so the view becomes part of the display.
Unusually for Japan, built around British modern art, on a hill facing Mt Adatara.
The personal museum of a Nihonga painter and Order of Culture laureate, born in this castle town.
The paper collages Chieko Takamura cut during her illness, shown in her family's sake brewery.
Life-size figures clothed in living chrysanthemums, which keep blooming and changing through the show.
In the home town of the man behind Godzilla and Ultraman, showing miniature-making as a craft.
Thirty torches ten metres tall and three tonnes each, built from bamboo and straw, then set alight.
Four workshops making Miharu horses in the same hamlet since the 1700s.
Over 4,000 storehouses in a town of 50,000 - some built as living rooms, not storage.
A hall of 44 pillars and a roof, with no walls at all - Heian architecture at its most open.
A post town of thatched houses lining the old highway, its power lines buried to keep the Edo view.
A village that grows, strips, spins and weaves ramie - the fibre behind Niigata's finest hemp cloth.