Hokkaido Museum of Modern Art
The province's central art museum, known for holding the Ecole de Paris painter Pascin in depth, alongside Hokkaido artists and studio glass.
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The province's central art museum, known for holding the Ecole de Paris painter Pascin in depth, alongside Hokkaido artists and studio glass.
A single-artist museum for Kotaro Migishi, born in Sapporo and dead at 31 - his whole restless change of manner fits in a few rooms.
Forty hectares of woodland holding both an indoor museum and 74 outdoor sculptures, half-buried in snow for part of the year.
On the site of the sculptor Shin Hongo's own studio, holding the models for the monuments that stand in streets across Japan.
Isamu Noguchi redesigned a landfill site as one continuous sculpture; it was his last work.
A triennial whose first edition was directed by the composer Ryuichi Sakamoto, on the theme of snow and the city.
Five hundred metres of underground walkway between subway stations, used as a continuous gallery beside the commuting crowd.
A red brick building known locally as the forest chalet, giving the fullest account in the province of Ainu history and colonisation.
Fifty-two buildings from the Meiji and early Showa eras moved here - nowhere else shows this hybrid frontier architecture together.
The red brick prefectural office of 1888: American neo-Baroque adapted to a northern climate, and an Important Cultural Property.
Built as a drill hall for the agricultural college; its tower clock still runs on falling weights, among the oldest working mechanisms in Japan.
Housed in the university's 1929 science building, so the modernist architecture is as much the exhibit as the four million specimens.
A former courthouse in soft stone; a restored courtroom sits beside rooms given over to citizens' exhibitions.
Collecting around 'form in wood' - a policy that follows directly from Asahikawa's furniture industry.
The sculpture of Teijiro Nakahara, dead young, shown in a 1902 army officers' club that is itself an Important Cultural Property.
Built around Kamikawa Ainu material - dugout canoes and ritual objects presented as working tools rather than curiosities.
A town of 8,000 declared itself the photography town and has run this festival, and its international prize, for forty years.
A converted school in the middle of the hills, showing the landscape photographs Shinzo Maeda took of those same hills.
A village of 3,000 rebuilt its identity around picture books, and has run an original-illustration prize ever since.
Built around printmaking, in a wood in Midorigaoka park, with regular shows of artists from the Tokachi plain.
A farmer who painted while working the land and died at 32; his unfinished horse, brushed onto plywood, is the centrepiece.
The wildflower paintings known from a confectioner's wrapping paper, shown in huts scattered through a Tokachi wood - the garden is the display.
In a converted bathhouse at the heart of a small museum village, for a painter who kept painting Hokkaido's nature.