Miyazaki Prefectural Art Museum
Home of Ei-Q, who made images by laying objects straight onto photographic paper; this is the fullest collection of his work.
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Home of Ei-Q, who made images by laying objects straight onto photographic paper; this is the fullest collection of his work.
With four relocated farmhouses in its grounds, and a substantial holding on the province's kagura masks and robes.
Four hundred copies of excavated haniwa set out among trees - placed outdoors, closer to how they originally stood.
Three hundred and nineteen mounds across a plateau, kept as grassland so their shapes stay readable as terrain.
Buried underground so as not to disturb the mounds, and unusual in letting visitors handle some of the finds.
Thirty-three dances performed through the night in ordinary houses, in masks repaired and reused for generations.
Worship is directed not at a hall but at a cave across the river; nearby, stones piled by visitors have accumulated into a landscape.
Columnar joints from cooling Aso ash form seven kilometres of vertical wall, best seen looking up from a boat.
A vermilion shrine standing inside a sea cave, under a rock ceiling with the Pacific breaking outside.
A castle town of cedar fences and stone walls, the first in Kyushu designated a preservation district.
Alternating sandstone and mudstone eroded into regular ridges that ring the island at low tide.
A port trading with Osaka, and so lined with Kyoto-style townhouses rarely seen elsewhere in Kyushu.
Bamboo and sumac laminated with hide glue through over two hundred steps; most Japanese bamboo bows are made here.
One man began carving in his sixties and spent thirty years cutting 700 stone figures over a burial ground - untrained, and overwhelming in number.
Clay dolls counted among the sources of the Kyushu tradition, still made from Edo-period moulds.
A primeval forest saved when the mayor refused a felling plan; a suspension bridge now crosses its canopy.
A town that paired forest protection with taking in craftspeople; woodworkers and weavers have gathered here.
Where slash-and-burn farming survived longest in Japan; its long houses string every room in a single line along the slope.
Rooms strung in one line, a plan some read as descended from Heian palace layout, preserved deep in the mountains.
Wave-cut ridges running along the coast, the tilt of the strata showing directly as pattern.
Large keyhole tombs on a plateau above the river, laid out so the mounds can be climbed and their shape felt.