Yutoku Inari Jinja
A vermilion main hall thrust out from the slope on a kakezukuri frame. It is often counted with Fushimi and Toyokawa among the three great Inari shrines of Japan.
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A vermilion main hall thrust out from the slope on a kakezukuri frame. It is often counted with Fushimi and Toyokawa among the three great Inari shrines of Japan.
The torii, the guardian lions and the great lanterns are all made of Arita porcelain. It enshrines Yi Sam-pyeong, held to be the father of Japanese porcelain. The local industry became the material of the shrine itself: few examples show as plainly that faith and industry do not exist separately.
It preserves the okayu-dameshi, in which the year is read from the state of a bowl of gruel. First shrine of Hizen Province.
Among the oldest shrines in Hizen, standing on Kabeshima. It enshrines the three Munakata goddesses and has long guarded the sea route to the continent.
The great camphor of Takeo, said to be 3,000 years old, stands deep in the grounds. There is a hollow at its base, and a shrine within it.
A vermilion hall framed in kakezukuri on the slope. It claims to be one of the three great Inari shrines of Japan.
At the top of the stone steps, with the whole of the Ariake Sea in view.
Among the oldest shrines in Saga. The gateway to Yobuko, the town of squid.
The guardian of a hot spring known for the skin. A white catfish is held to be its messenger.
A great camphor said to be 3,000 years old. There is a hollow at its base, with a shrine inside.
It stands at the top of a steep stone stairway. The tutelary shrine of a town of yokan.
It enshrines Confucius. One of only four such old Confucian shrines in Japan.
It carries the tale of Matsura Sayohime and her lost love, standing on Kabeshima at Yobuko.
It enshrines Fujiwara no Hirotsugu. Its Korean-made Yoryu Kannon figure is an Important Cultural Property.
A torii made of blue-and-white porcelain. A nationally registered Tangible Cultural Property.
It enshrines Nabeshima Naoshige, and is affectionately called Nippo-san.