Atsuta Jingu Treasure Hall
The treasury of the shrine of the sacred sword, holding over 6,000 dedicated blades shown in rotation.
299 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
282 entries / page 3 of 12
The treasury of the shrine of the sacred sword, holding over 6,000 dedicated blades shown in rotation.
Three centuries of French painting hung in order, with a room where visitors may sit on Galle and Majorelle furniture.
Its annex is a fine sukiya house, where tea is served looking into the garden.
Tea utensils rearranged each season according to the logic of a tea gathering, not of art history.
Edo tea houses moved into the garden, so the utensils and the rooms they were made for sit on one site.
Over a hundred distinct resist techniques - tied, stitched, clamped - grown as souvenirs for travellers on the Tokaido.
A highway street of shibori wholesalers, their thick fireproof plaster fronts still standing.
A restrained, near-monochrome yuzen; the related craft dyes a kimono black while leaving the family crest white.
Silver wires outline the design on copper before the enamel is laid in; Meiji exports made it famous worldwide.
Among Japan's largest public ceramics museums, running from the ancient Sanage kilns to the present, with kiln sites on the grounds.
A Showa-era pottery town rebuilt full size, the kiln sheds standing beside the station that carried the wares out.
Three thousand beckoning cats; set side by side, each district's face and paw height give its origin away.
The oldest and largest of the six ancient kilns; its iron-rich clay fires vermilion, and its teapots are said to soften the tea.
Six buildings on the single theme of clay, from Islamic and European decorative tiles to a hall where visitors handle mud.
Built by Nobunaga's brother and one of only three tea houses designated National Treasure, lit through a screen of split bamboo.
Three-tiered floats with clockwork puppets performing on top, each hung with 365 lanterns after dark.
Held to be Yoshio Taniguchi's finest work: white volumes over water and lawn, the route framing view after view.
For a painter who kept working in an era that gave women little room, on the site of the house where she was born.
Most of Japan's woollen cloth is woven here; the district supplies luxury suiting worldwide alongside Italy.
For an artist who moved freely between craft and painting; small, but nationally respected for its exhibitions.
Japan's only museum of roof tiles, re-presenting an industrial product as form.