Natural History Museum and Institute, Chiba
The prefecture's central museum, designed as one with the ecological garden outside it.
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The prefecture's central museum, designed as one with the ecological garden outside it.
The seaside villa of a wine magnate, a rare 1918 reinforced-concrete house detailed with grape motifs.
One of the few places on earth showing Rothko's Seagram murals in a dedicated darkened room; it closed to the public in 2025.
The national museum of Japanese history, known for reconstructing whole streets and buildings at full size.
Its entrance is a 1918 brick-and-stone bank; inside, modern art connected with the Boso peninsula.
Three samurai houses of different ranks stand side by side - stipend made visible in built form.
Japan's largest museum for modern calligraphy, and one of the first to display writing as fine art.
The man who began surveying Japan on foot at 55; his National Treasure maps are beautiful for their sheer accuracy.
Designed by the British engineer Richard Brunton from 193,000 Japanese-made bricks, and still in service.
A bold conversion of an existing building, its terraces and outdoor works blurring the edge between architecture and lake.
Staged in closed schools along a single-track railway, so the journey itself becomes part of the viewing.
A full-scale reconstructed Edo town where craftsmen actually work in the buildings.
In the city where the great postwar Nihonga painter lived, built to echo the German architecture he studied among.
A donated private house turned gallery, its small shows viewed against the garden.
Where the Shirakaba writers gathered by the lake - and where Soetsu Yanagi first conceived the mingei movement.
The home of a Taisho-era journalist, preserved with his photographs and papers.
A 31-metre Buddha and 1,553 rakan carved from the quarry face - an industry that turned into sculpture.
Quarrying left vertical walls and rectangular voids - a landform composed entirely of straight lines drawn by people.
A passage cut downward through sandstone by hand; chisel marks cover the walls as light falls vertically.
A 56-metre concrete Kannon raised for the war dead, climbable by 324 steps to shoulder height.
Three hundred and seventy-five rain-fed terraces drawing contour lines that change colour with the season.
A district dense in figural haniwa, each with its own face and hairstyle - the Kofun people made specific.
Ten kilometres of 50-metre cliffs, their horizontal strata standing like a folding screen.