Aizu Sazaedo
A wooden double helix where those climbing and those descending never meet - a structure with almost no parallel.
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236 entries / page 3 of 10
A wooden double helix where those climbing and those descending never meet - a structure with almost no parallel.
A 38-room chief retainer's mansion reconstructed, showing how rank was expressed in space.
Begun when Gamo Ujisato brought lacquerers from Omi; known for auspicious motifs and sprinkled gold.
A red papier-mache ox with a nodding head, made to ward off plague - the colour itself is the charm.
One of Tohoku's oldest pottery districts, and rare in firing both earthenware and porcelain.
A pioneering case of a regional city collecting contemporary art, strong in American work of its own era.
A museum for the frog poet, stretched along a ridge so the view becomes part of the display.
Unusually for Japan, built around British modern art, on a hill facing Mt Adatara.
The personal museum of a Nihonga painter and Order of Culture laureate, born in this castle town.
The paper collages Chieko Takamura cut during her illness, shown in her family's sake brewery.
Life-size figures clothed in living chrysanthemums, which keep blooming and changing through the show.
In the home town of the man behind Godzilla and Ultraman, showing miniature-making as a craft.
Thirty torches ten metres tall and three tonnes each, built from bamboo and straw, then set alight.
Four workshops making Miharu horses in the same hamlet since the 1700s.
Over 4,000 storehouses in a town of 50,000 - some built as living rooms, not storage.
A hall of 44 pillars and a roof, with no walls at all - Heian architecture at its most open.
A village that grows, strips, spins and weaves ramie - the fibre behind Niigata's finest hemp cloth.
Household tools of the deep Aizu mountains, designated an Important Tangible Folk Cultural Property.
A village of 500 has staged its own kabuki for 270 years, the audience seated on stone steps.
An imperial prince's Renaissance-style villa above Lake Inawashiro, its original furniture intact.
The bacteriologist's birthplace preserved intact, including the pillar he carved his vow into.
The seat of Aizu Buddhism, its main hall rebuilt in timber from excavation evidence.
A domain kiln passed from father to single son, its bowls painted with running horses under a crackled glaze.