Hiroshima Museum of Art
Founded by a local bank as a memorial to those killed by the bomb; its Impressionist holding is among western Japan's best.
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Founded by a local bank as a memorial to those killed by the bomb; its Impressionist holding is among western Japan's best.
Won in competition by Tange: cenotaph, flame and ruin were aligned on one axis, and the city replanned around it.
After the competition failed, one of its judges built it himself; the wall blocks contain fragments of bomb-scorched tile.
Mori Terumoto's lowland castle; its keep, then a National Treasure, was flattened by the bomb and rebuilt in concrete.
The study of the historian Rai Sanyo survived the bomb; his calligraphy and Chinese verse are kept here.
Said to begin with rice paddles shaped after a goddess's lute; the trade covers both turning and carving.
Tadao Ando wrapped an existing building; from the galleries the strait and the island opposite are in view.
Temples and houses stacked on a narrow slope between sea and mountain, linked by lanes no car can enter.
Unusual in Japan for collecting 20th-century Italian art, and standing next to the castle.
For a painter and a doll artist, husband and wife; on full-moon nights it stays open so the moon can be watched in its pond.
Called shining dolls for their gloss; one family still makes them, using moulds from the Edo period.
Seven breweries along one kilometre, their red tiles, white walls and brick chimneys repeating down the street.
On the technology of a shipbuilding city; its 26-metre model was built as a documentary object, rivet by rivet.
A naval commander's residence joining Western and Japanese wings, its walls hung with embossed gilt-leather paper.
Eight in ten Japanese brushes; the hair tips are never cut, so the point forms itself.
Hair blended in water rather than dry; a brush town specialising in calligraphy alongside Kumano.
A wedding-furniture town where the trades divide the work and compete on the precision of the joinery.
One of Japan's three great kasuri districts; its toughness made it workwear, and the town later turned to denim.
Over sixty percent of Japan's koto; the sound is cut into the paulownia body as a pattern of grooves inside the lid.
Born on this island and a survivor of the bomb; the museum runs from his boyhood sketches to his last large works.
A businessman built it for his mother, copying famous temples across Japan, and crowned the hill with a garden of white marble.
Seven bridges hopping island to island, each a different structural type - a working catalogue of bridge form.
Buildings that stood through the blast, still in use with their cracks and heat scars left visible.