Yokoo Tadanori Museum of Contemporary Art
Three thousand works by an artist who moved from graphics to painting, and who redraws the same subject again and again.
300 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Three thousand works by an artist who moved from graphics to painting, and who redraws the same subject again and again.
In a neoclassical former bank, holding National Treasure bronze bells and a major group of paintings of Japan's first contact with the West.
Japan's only museum of carpentry tools, showing joinery and blades - Japanese architecture explained from the hand outward.
A sake brewer's collection of Asian antiquities, with a separate wing of Persian carpets.
The collection of the founder of the Asahi Shimbun, on his own estate, with tea houses moved into the garden.
For a painter of figures; his studio was moved here whole, down to the way the north light falls.
Japan's first public museum of dress, tracing court costume through to modern haute couture.
Houses built by foreign residents after the port opened - German, English and colonial styles mixed along one hill.
Art placed across a mountain's tourist sites, so the view and the work share one field, and the climb is the route.
An 1905 army warehouse turned gallery, its red brick standing against the white castle across the moat.
Kenzo Tange placed it so the castle reflects in its glass - the museum working as a frame for the castle.
In the Tamba pottery district, running from medieval kilns to the present, and working with the studios next door.
One of the six ancient kilns, and the only district in Japan where the kick wheel turns anticlockwise.
A castle town with two preservation districts, one merchant and one samurai, its shops presenting gable ends to the street.
Its annual exhibition of international picture-book illustration has made it Japan's centre for that field.
An Edo brewery rebuilt after the earthquake, showing the tools and the building as one subject.
The Gutai group began in this town; the museum holds the fullest local record of a movement that made throwing paint the work.
One of only four Wright buildings left in Japan and the only house, its Oya stone carved in continuous geometric bands.
Tezuka grew up in this town; his corrected and redrawn pages show how volume and handwork were held together.
Collects prints that criticise society, with an unusual concentration of Daumier lithographs.
One of Japan's great haiku archives, holding autograph works by Basho, Buson and Issa.
A castle town of grid streets, and a porcelain so white that its patterns are cut into the body rather than painted on.
Inns were kept small and baths kept public, so the street works as the corridor of one large shared building.
A basket in the 8th-century Shosoin is said to come from here; willow weaving later made this Japan's luggage capital.