Nakamura Memorial Museum
A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
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A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
Masks and robes of the Kaga Hosho school, with masks visitors may wear to feel how narrow the sight becomes.
The heirlooms of the Kaga domain's chief retainers - armour and letters marking the rank of a great house.
A lord built it for his mother; one room's ceiling is painted in imported ultramarine, a luxury of pure colour.
Three-storey teahouses along the river, with narrow lanes dropping to the water.
Roofed in lead tiles that weather white; one turret is built on a rhombus plan to widen its field of view.
More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
Ninety-nine percent of Japan's gold leaf, beaten to one ten-thousandth of a millimetre - the gilding of Kinkakuji and Nikko alike.
Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
Gold and silver hammered into cut iron, a technique born on armour and now turned to jewellery.
Three and a half centuries, father to son: bowls formed entirely by hand without a wheel, under an amber glaze.
Rooms divided by style, so the bold colour fields of old Kutani can be set against the later fine red painting.
Five overglaze colours covering the surface entirely; the kiln died out once, and each revival changed its style.
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
Held to have Japan's finest woodturning: blanks cut with the grain, then scored on the lathe in hairline rings.
Once called Japan's richest village; the shipowners fenced their houses with old hull planks under red tiles.
Where a young Rosanjin lodged and met the Kutani potters and lacquerers who shaped everything he made later.
One painter's swing from wartime documentary painting to lush postwar nudes, shown in his home town.
At the centre of the Kutani district, on the twin industries of stone quarrying and pottery.
In the birthplace of Hasegawa Tohaku, painter of the Pine Trees screens, and holding an annual exhibition of his work.
The merchant street of old Noto, its townhouses still trading, each shopfront designed differently.
Powdered diatomaceous earth in the ground coat and 124 divided steps make it the toughest lacquer in Japan.
Said to be the world's only museum devoted solely to lacquer, comparing Japanese work with Chinese and Southeast Asian.