Ishimoto Yasuhiro Photo Center
The photographer whose images of Katsura changed how Japanese architecture is seen; all 34,000 of his works came here.
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The photographer whose images of Katsura changed how Japanese architecture is seen; all 34,000 of his works came here.
On a headland with galleries cantilevered over the Pacific, holding letters whose handwriting breaks into something like drawing.
On the Chosokabe clan's castle site, covering medieval Tosa and the province's folk material.
For two nights a year the screens are set out along the shopfronts and lit only by candles - as they were meant to be seen.
Its tengujo is the thinnest handmade paper in the world - 0.03 mm - and is used to conserve artworks globally.
On the river that made the paper, following the process from bark to the thinnest sheet in the world.
Forged without templates, each blade shaped to its order - a trade built on hatchets and sickles for mountain work.
For the creator of Anpanman, who found his great subject in his mid-fifties, and who was also a poet.
No dam on the main course, so the meanders remain; bridges and villages are all placed on the assumption of flood.
Six Kuma buildings in a mountain village of three thousand, each designed outward from locally sourced cedar and thatch.
Local cedar split thin and hung from the ceiling like falling timber; shoes come off, and readers lie on the floor.
Giverny recreated in a mountain valley with the foundation's blessing - and here the blue water lilies Monet never got actually bloom.
A landowner taught himself clockmaking by taking one apart, then built this tower - gears and all - by hand.
Rows of little tile eaves are set partway up the walls to shed typhoon rain - a climate detail that became the elevation.
Begun as a domain industry, and still turning out the same everyday jars and bowls.
Each earthquake lifts the coast a little more, leaving terraces - a global geopark where the ground's movement is legible.
Where Kukai trained in a cave, and from whose opening - sky and sea only - he is said to have taken his name.
Sandstone eaten by wind and wave into honeycombs and marbled surfaces - a shoreline carved by weather.
Granite cliffs at Shikoku's southern tip, reached through a tunnel of camellia branches.
A castaway who reached America and returned as an interpreter; copies of the phrasebook he made survive.
A street market held for over three centuries; once a week a city avenue changes character entirely.
A beach of many-coloured pebbles, long famous for moon viewing, with Ryoma's statue facing the sea.
The 31st pilgrimage temple, with a garden attributed to Muso Soseki and a pagoda above the bamboo.