Xavier Memorial Church
Where Francis Xavier was first given leave to preach in Japan, rebuilt by an Italian architect on a triangular plan.
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Where Francis Xavier was first given leave to preach in Japan, rebuilt by an Italian architect on a triangular plan.
Made by the Ouchi lords for trade with Ming China: gold lozenges and autumn grasses on vermilion.
Said to have been started to fund the rebuilding of Todaiji, and made here for over eight centuries.
For a poet dead at thirty, on the site of his birthplace, showing his heavily revised drafts as calligraphy.
Built in the form of a samurai residence so as to sit inside the preserved townscape.
Yoshida Shoin taught here for barely a year; from eighteen tatami mats came the men who made the Meiji Restoration.
A trial furnace that never worked, preserved exactly as it was - industrial heritage kept as a record of failure.
Where two Western-style sailing ships were built; the stone breakwater stands as it was.
The traditional furnace that supplied iron for the shipyard - old technology feeding a new industry.
Among the oldest surviving townhouses in Japan, with formal rooms built to receive shogunal envoys.
A mountain castle and a valley residence linked by the bridge; the rebuilt keep overhangs its lower storey.
In the birthplace of Kano Hogai, who pushed Nihonga into the modern era; the museum traces how he got there.
The castle town of a Mori branch house, its lanes walled in tile-laced earth between temples and samurai houses.
Japan's first international open-air sculpture competition; sixty years of prize works have filled the park.
Cut from a fine-grained local stone that grinds ink smoothly, its edges carved with dragons and pines.
The Mori family mansion itself, holding Sesshu's sixteen-metre landscape scroll, shown each autumn.
One of the few provincial temples where a hall still stands on the original 8th-century site.
A merchant town whose goldfish lanterns are said to have been invented after a trader saw the Nebuta floats up north.
Striped cotton that sold widely in the Edo period, lost, and reconstructed from surviving samples.
Two pillars: a painter of Siberian internment, and the photographer who took the famous portrait of the novelist Dazai.
A painter who rendered his Siberian captivity as 57 canvases in black and ochre alone, shown in his home village.
Senior retainers' houses, where the height of the gate and wall states the family's rank.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.