Itchiku Kubota Art Museum
The home of a dyer who independently revived tsujigahana dyeing, which appeared from the Muromachi to Momoyama periods; his kimono are hung in rows that form one continuous landscape.
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The home of a dyer who independently revived tsujigahana dyeing, which appeared from the Muromachi to Momoyama periods; his kimono are hung in rows that form one continuous landscape.
Cloth dolls of such density they read as sculpture, by a maker who works only in cotton.
Collecting one mountain only; photographers who spent lifetimes on Fuji can be compared side by side.
Shigeru Ban hung a paper-covered inverted cone over water, so its reflection becomes the mountain.
Crystal from the local gorge carved and polished by hand; the stone ran out but the skill founded a jewellery industry.
A third of Japan's jewellery is made here; cutting and setting are demonstrated in front of visitors.
An 1875 pseudo-Western schoolhouse with balcony and drum tower - local carpenters' reading of Western form.
One site yielded 1,116 clay figures, nearly all deliberately broken - breaking them appears to have been the ritual.
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.
Founded by a Nobel laureate with his own funds, and collecting women artists exclusively - rare in Japan.
A house that supplied liquorice to the shogunate, its roof raised in three tiers for silkworm rearing.
No piers: timbers cantilever out from both banks in stages - a method invented because the gorge was too deep to stand in.
Lodgings for Fuji pilgrims: long narrow plots running back from the road, with a channel drawn in for purification.
Paper for calligraphy, made since the 1500s and still varied sheet by sheet to control how ink bleeds.
A paper town that also makes fireworks - the shells are wound from paper, so the two trades grew together.
Shingen ruled from a square residence, not a castle - his saying that people are the castle, left in the ground.
Rather than sealing the river, the levee is deliberately gapped to let water escape - engineering doctrine as landscape.
Trellised vineyards covering the slopes, where Japanese winemaking began; Meiji brick cellars still stand.
In the same park as the art museum, showing manuscripts as much for the hand as for the text.
Eight springs fed by Fuji's groundwater, visited in sequence by pilgrims - belief mapped onto terrain.
The exact spots Hokusai and Hiroshige drew can still be stood on, and the compositions checked against the view.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
A highland community founded by an American missionary, its timber lodge buildings still standing in the woods.