Geihoku Kagura
Descended from the Iwami tradition, with serpents and demons whose robes cost millions and whose masks are made of paper.
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Descended from the Iwami tradition, with serpents and demons whose robes cost millions and whose masks are made of paper.
Called the floating castle because the tide reached its walls; the stonework now sits beneath the railway station.
A naval academy built from bricks shipped in from England, its identical blocks a finished form of Meiji officialdom.
An island once erased from maps; the concrete remains of its poison-gas works are kept, overgrown, as record.
A turret moved here from Fushimi survives; its keep was armoured with iron plate on the north face alone.
Filmed again and again from Ozu onward; the same slope and level crossing keep reappearing in different decades.
Gilded altars grown from a strongly Pure Land region, finished by six separate trades in sequence.
Rafts laid out in ranks across the bay - four centuries of oyster farming drawing geometry on the water.
The docks that built battleships still work; the rank of giant cranes states the scale directly.
Harbour warehouses and abandoned hillside houses repaired one at a time by residents - preservation by accumulation.
Residents planted a thousand roses in a burned-out city - an intention to recover, turned into a landscape.
Printmaking was chosen to carry the memory of the bomb precisely because prints can be multiplied and sent out.
Fudenosato Kobo in Kumano. It exhibits the history of brushes, and visitors can try brush making.
Koyudo in Kumano. It makes the heads of makeup brushes.
Hakuhodo in Kumano. It makes makeup brushes with the skills of master brush makers.
Takeda Brush in Kumano. It makes makeup brushes by hand.
Rice scoops from Miyajima. It is regarded as the birthplace of the shamoji rice scoop, whose shape is said to have been borrowed from the biwa lute of Benzaiten.
Lathe-turned woodwork from Miyajima. Wood is turned on a lathe to make vessels.
Buddhist altars from Hiroshima. Gold leaf is applied thickly, and the work, from the wooden base to the gilding, is divided among seven trades.
Taguma bamboo craft from Onomichi and Innoshima. Bamboo is split and woven.
Togochi kurimono from Akiota. Wood is hollowed out to make vessels.
Ikkokusai takamori-e from Hiroshima. Lacquer is built up thickly to form pictures.