Hokkaido Museum of Northern Peoples
Ranges Ainu material beside Sami and Inuit - the only museum in Japan that treats the whole circumpolar north as one subject.
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Ranges Ainu material beside Sami and Inuit - the only museum in Japan that treats the whole circumpolar north as one subject.
Unusual in collecting calligraphy as its central pillar, around Ogitei Kaneko, who founded modern verse calligraphy.
One of the oldest museums in Japan, holding what gathered in this treaty port and the Ainu craft of southern Hokkaido.
A timber Western hall on the slope above the port; its original furniture and blue-and-yellow colour scheme show what the trade was worth.
In a former Bank of Japan branch, holding a major Ainu collection strong in attus, the cloth woven from tree bark.
The birthplace of Japanese Orthodoxy: white walls, green domes and the icons inside, all designated together.
Four historic banks and warehouses turned into one museum complex; the stained glass came from English churches.
Three local artists get permanent rooms, among them Yutoku Ichihara, who printed from corroded metal plates.
By Kingo Tatsuno, architect of Tokyo Station, at the centre of what was called the Wall Street of the north; entry is free.
A glassworks that made fishing floats and oil lamps; a hall lit by 167 of those lamps became the image of the whole town.
A sculptor turned a closed mine town's school and playground into a seven-hectare field of marble you may touch and sit on.
The painter behind a famous novel's protagonist; he fished for a living, lost his early work to fire, and kept painting.
Some three hundred Picasso prints on a hill above the Japan Sea - an unexpected centre of Western art in a small town.
A painter who began in Surrealism, returned home, and spent the rest of his life on one mountain and its animals.
Japan's only national museum of an indigenous people, presenting Ainu pattern and carving as living practice rather than ethnography.
Nibutani's wood carving and bark weaving are the only Ainu crafts designated traditional by the state - and the makers still live here.
Art and archaeology in one museum, with the paper and port industries that made the town treated as a third strand.
A museum built from citizens' donations in a steel town, and collecting the paintings its factories provoked.
In a brick-making town: exhibitions of ceramics beside a workshop where visitors handle the clay themselves.
A small museum inside a commercial building by the station, built on two local painters and changing its shows often.
Art and natural history under one roof - Sorachi printmakers beside the fossil sea cow dug up in the city.
Designed by William Merrell Vories as a missionary couple's home, and the leading example of his work in Hokkaido.
The shop and residence of a family enriched by herring, kept complete - draper, shipowner and household in one Important Cultural Property.
A small municipal gallery by the lake, showing landscape and daily life in a district that has lived through repeated eruptions.