Sojiji Soin
Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
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Once the head temple of Soto Zen; rebuilt after fire and earthquake, its cloisters still bind the halls together.
Held at the tip of a peninsula, using depopulated hamlets as its venue and their residents as its guides.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
Behind the halls lies a primeval wood no one may enter - preserved precisely by being left alone.
Three-storey farmhouses in a deep-snow village, their height built for silkworm rearing.
Head shrine of 3,000 Hakusan shrines, keeping Heian-period guardian lions among its offerings.
Tadao Ando cut a long stair up the hill so that the climb itself stands for the act of thinking.
A Meiji bathhouse rebuilt from its original drawings, tiled in Kutani ware and glazed with stained glass.
The city takes in young craftspeople for three years; their workshops are open, so the daily work is visible.
Guest rooms painted in ultramarine and red ochre - colour permitted only in the pleasure quarters of a samurai town.
Stacked geometric volumes laid out by feng shui, standing on an island hill.
A seaside spa whose inns use Wajima lacquer and Kaga yuzen indoors, putting the region's crafts inside the architecture.
Five-metre bamboo fences packed solid against the winter wind - a wall produced purely by function.
Temples massed at the edge of the castle town for defence - seventy of them, wall after wall, gate after gate.
A tumbler doll shaped as a swaddled infant, painted red to ward off smallpox.
Kanazawa turned flat paper cords into three-dimensional cranes and pines - the wrapping itself becoming the object.
Timber columns shaped as Noh hand drums, met by a glass dome - a traditional form built by modern structure.
The museum of urushi art in Wajima. It is said to be the only museum in Japan devoted solely to urushi art.
The workshop row houses in Wajima. Visitors can watch artisans at work and try chinkin and maki-e.
A prefectural training institute in Yamanaka. It passes the techniques of lathe woodturning on to the next generation.
The Kutani ware museum in Nomi. As the Gosaikan, it displays works from the production area.
Kutani Pottery Village in Nomi. Kilns are gathered here and sell their works.