Sanuki Lanterns
Made as offerings for the great shrine, using a technique that winds a single bamboo strip in a spiral.
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Made as offerings for the great shrine, using a technique that winds a single bamboo strip in a spiral.
Where olives first took root in Japan; terraces cut into the slopes give the island a Mediterranean look.
A viewpoint built on the hill so the sand coin below can be read - the vantage point completing the work.
An island known for illegal industrial dumping became a festival site - and how openly that history is handled remains at issue.
An island of famous ship and temple carpenters; the houses they built for themselves still stand.
Fourteen thousand reservoirs were dug across this dry plain; the cones of its hills and those artificial ponds compose it.
Kukai is said to have repaired this reservoir in three months, curving the dam into an arch to take the water's push.
Tange translated the timber tradition into reinforced concrete here; the stacked slabs read as wooden eaves.
Abandoned terraces were brought back into cultivation alongside the museum's construction, so field and artwork share one view.
Over eight hundred lion troupes in one prefecture, each with its own embroidered body cloth.
A village of charred-cedar walls, uniformly black; the art houses are set inside that fabric.
Volcanic rock eroded into towers and cliffs, each formation named along the route.
A stone-cutting town; Noguchi worked with its masons, and sculptors have come for the stone ever since.
Two and a half kilometres of covered street, its crossings domed in glass - a roof designed for a city.
Lacquerware of Takamatsu. It has the carving techniques of kinma, zonsei and choshitsu. Tamakaji Zokoku founded it by copying Chinese techniques.
The prefecture's lacquer art institute. It passes on kinma and other techniques to the next generation.
The lacquer art exhibit of the prefectural museum. It holds Kagawa lacquerware in its collection.
Lines are carved with a blade into a surface built up with layers of lacquer and filled with colored lacquer. A representative technique of Kagawa lacquerware.
A technique in which patterns are drawn on a lacquer ground with colored lacquer, then finished with line carving and gold powder.
A technique in which dozens of layers of lacquer are built up and carved into to show the colors of the cross-section.
A special lacquering technique in which lacquer is applied and then wiped off to bring out a mottled pattern.
A lacquering style that bears the name of Tamakaji Zokoku. It is finished so as to keep the texture of the wood base.
The Uchiwa no Minato Museum in Marugame. It exhibits the uchiwa production area.