Aomori Museum of Art
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
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Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
The prefecture's general museum, in a 1931 bank; closed since 2021 and awaiting the end of its refurbishment.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
Kunio Maekawa, central to Japanese modernism, left eight buildings in his mother's home town - his first and last work within one walk.
A three-storey timber library with octagonal towers at both corners - a provincial master carpenter's reading of Western architecture.
A former bank, Western outside and finished in Tsugaru lacquer and plaster within - the mixture is the point.
An Anglican church whose brick spire stands out sharply among the town's timber Western buildings.
A timber Gothic church holding a 19th-century altar given to it by a church in Amsterdam.
A businessman's villa using the drop of a cliff to hold two different gardens, with Mt Iwaki borrowed as the backdrop.
A Maekawa building inside the castle park, holding the domain's armour and the lacquerware the domain itself fostered.
The only surviving castle keep in Tohoku - and one that was jacked up and moved bodily so its stone base could be repaired.
A hall for gathering comes before the galleries here - a design argument that won the Architectural Institute of Japan prize.
Each artwork gets its own white box, linked by glass corridors; the works spill outdoors until the whole street is the exhibition.
Wooden arcades built out over the street against snow, surviving as they were in the Edo period.
A rice merchant's house of 1763, its roof kept low throughout to shed the weight of snow.
A ferry from the eighty-year Aomori-Hakodate route, kept at its berth as a museum you can enter down to the engine room.
A timber Western house built by local carpenters for an American woman missionary; an Important Cultural Property.
A relocated Tsugaru farmhouse, its balance of boarded floor and earthen floor set by the length of the winter.