Aomori Museum of Art
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
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Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
Paper-and-light figures built for one night and destroyed after it, kept here year-round inside a ribboned red steel shell.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
A hall for gathering comes before the galleries here - a design argument that won the Architectural Institute of Japan prize.
Built as a gateway to the city in a former department store, showing its food stalls and back alleys through people rather than displays.
Each artwork gets its own white box, linked by glass corridors; the works spill outdoors until the whole street is the exhibition.
A public square opposite the museum, with no fence and no ticket, where children walk to school between the sculptures.
For the theatre and film provocateur Shuji Terayama; documents emerge from giant desks and drawers, so the museum is itself a staging.