The Museum of Modern Art, Gunma
Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
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Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
In its grounds stands a copy of Antonin Raymond's own house - a key example of Japanese modernist domestic architecture.
A state silk mill of timber frames filled with brick; its 140-metre column-free reeling hall is a National Treasure.
Sou Fujimoto gutted a 300-year-old inn into a vertical void, with contemporary artworks built into the fabric.
Saw-toothed weaving sheds, built for north light, stand mixed among the townhouses.
The 1934 weavers' guild office, faced in scratch tile and now a registered cultural property.
Gallery and library are not separated but wound together by ramps, readers and viewers sharing one space.
Isozaki's black gabled sheds hold contemporary art in one wing and old Japanese art, shown as if in a tea room, in another.
Among Japan's oldest surviving hot-spring inn buildings, its 1691 wing and red arched bridge still in use.
The hut where the exiled Bruno Taut lived and wrote on Katsura, changing how Japanese architecture was judged.
Halls built against a giant rock, covered in the polychrome carving of the province's shrine sculptors.
Worshippers descend to reach the sanctuary - a rare inversion - past halls lacquered and painted for Iemitsu.
Backed by the jagged Myogi peaks, its black-lacquered halls carry a density of gilt carving close to Nikko's.
Two million bricks in four arches, 31 metres high - Japan's largest brick bridge.
Silkworm eggs stored in natural rock cold air, and the ventilated farmhouse that standardised sericulture.
The school that taught the ventilation-and-heat method of silkworm rearing to all Japan.
For an artist who paints with the brush in his mouth; its plan of interlocking circles won an open competition of 1,200 entries.
A two-storey hexagonal hall whose inner tier of six Jizo figures actually rotates.
A hot-spring town planned around a stairway, with the water distributed in conduits beneath the steps.
Wooden channels built to cool water too hot to bathe in became the centrepiece of the town.
A wool company's pseudo-Western office of 1910, a relic of Gunma's textile industry.