Kaga Yuzen
More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
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More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
Ninety-nine percent of Japan's gold leaf, beaten to one ten-thousandth of a millimetre - the gilding of Kinkakuji and Nikko alike.
Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
Gold and silver hammered into cut iron, a technique born on armour and now turned to jewellery.
Five overglaze colours covering the surface entirely; the kiln died out once, and each revival changed its style.
Held to have Japan's finest woodturning: blanks cut with the grain, then scored on the lathe in hairline rings.
Powdered diatomaceous earth in the ground coat and 124 divided steps make it the toughest lacquer in Japan.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
The city takes in young craftspeople for three years; their workshops are open, so the daily work is visible.
A tumbler doll shaped as a swaddled infant, painted red to ward off smallpox.
Kanazawa turned flat paper cords into three-dimensional cranes and pines - the wrapping itself becoming the object.