21st Century Museum of Contemporary Art, Kanazawa
A circular glass building with no front or back; large free zones let people cross through as if it were a park.
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A circular glass building with no front or back; large free zones let people cross through as if it were a park.
Ninsei's pheasant incense burner is a National Treasure; the crafts the Kaga domain nurtured are all gathered here.
The national crafts collection, moved from Tokyo into two relocated Meiji army buildings.
A sake brewer's tea utensils, shown in his relocated house so the bowls are seen from a tea room.
Masks and robes of the Kaga Hosho school, with masks visitors may wear to feel how narrow the sight becomes.
Three and a half centuries, father to son: bowls formed entirely by hand without a wheel, under an amber glaze.
Rooms divided by style, so the bold colour fields of old Kutani can be set against the later fine red painting.
One painter's swing from wartime documentary painting to lush postwar nudes, shown in his home town.
In the birthplace of Hasegawa Tohaku, painter of the Pine Trees screens, and holding an annual exhibition of his work.
Said to be the world's only museum devoted solely to lacquer, comparing Japanese work with Chinese and Southeast Asian.
Stacked geometric volumes laid out by feng shui, standing on an island hill.