Chichu Art Museum
Buried entirely underground to spare the island's skyline, showing three artists only, and lit by daylight alone.
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Buried entirely underground to spare the island's skyline, showing three artists only, and lit by daylight alone.
A museum you can sleep in; artists chose their own sites here and made the works for those places.
Empty houses and a shrine in a working village turned into artworks, with residents themselves acting as guides.
For an artist who works only in stone and steel plate, half-buried in a valley between hill and sea.
A polka-dotted pumpkin at the end of a pier became the island's emblem; washed away by a typhoon, it was repaired and returned.
A working public bath plastered with the artist's collected signage and tile - an artwork the islanders wash in.
A columnless concrete shell shaped like a water drop; water seeps from the floor and moves through the day - work and building indistinguishable.
An old house rebuilt with red glass in the garden so the whole site reads red, and a mirrored tower at its edge.
An international exhibition across twelve islands, begun as an attempt to bring people back to depopulated and polluted places.
Postwar art and Sanuki lacquer as twin pillars - this province has produced an unusual number of Living National Treasures.
Two festival islands where the works scatter through hillside hamlets and the lanes become the route.
An island known for illegal industrial dumping became a festival site - and how openly that history is handled remains at issue.