Setouchi Triennale
An international exhibition across twelve islands, begun as an attempt to bring people back to depopulated and polluted places.
294 entries. Some places appear in more than one collection. Confirm visits with each facility.
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An international exhibition across twelve islands, begun as an attempt to bring people back to depopulated and polluted places.
Noguchi's studio and stone yard kept exactly as he left them - finished and unfinished works standing side by side.
It takes the mountain behind it into the garden; its pines have been shaped by hand, tree by tree, for three centuries.
A daimyo garden whose pond copies the eight views of Lake Biwa, centred on a 600-year-old pine trained flat.
A giant coin dug into the beach and re-cut by the whole town twice a year - which is why it has held its shape for four centuries.
Tide pools left on the flats mirror the sky; a beach that photography discovered and turned into a destination.
Eight hundred paddies stacked up a slope, with a kabuki stage among them - farming and theatre in one view.
Where olives first took root in Japan; terraces cut into the slopes give the island a Mediterranean look.
A viewpoint built on the hill so the sand coin below can be read - the vantage point completing the work.
Fourteen thousand reservoirs were dug across this dry plain; the cones of its hills and those artificial ponds compose it.
Kukai is said to have repaired this reservoir in three months, curving the dam into an arch to take the water's push.
Abandoned terraces were brought back into cultivation alongside the museum's construction, so field and artwork share one view.
Volcanic rock eroded into towers and cliffs, each formation named along the route.