Ryukyu Bingata
Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
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Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
Woven for the royal house; one of its weaves could be worn only by the queen and princesses.
Geometric flowers raised by floating threads; the craft died out and was reconstructed in 1964 from old cloth and older memories.
The village grows the plants, strips the fibre, splits it, spins and weaves - two hundred stems for a single bolt of cloth.
Ramie split by fingernail into thread finer than hair, woven and then beaten with mallets to a sheen; over a year for one bolt.
One person carries the whole process from silkworm to finished cloth, dyeing with island plants and fixing in mud.
Five dots and four, read as a pun meaning 'for ever and ever' - the pattern a woman wove into a sash for the man she chose.
Dance the court developed to entertain Chinese envoys; its bingata costumes are coloured to carry from a stage.