Tottori Folk Crafts Museum
Founded by a doctor who did not merely collect folk craft but commissioned new designs from living potters.
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Founded by a doctor who did not merely collect folk craft but commissioned new designs from living potters.
Across the street from the museum, selling not the collection but what is being made now - the same doctor's experiment.
Most of Japan's calligraphy paper; the fibre blend is changed for each use to control how ink spreads.
Glazed in two colours split on the diagonal; Yanagi found it and made it a standard-bearer of the mingei movement.
Descended from Ushinoto, and shaped by the doctor's design instruction into forms that suit a modern table.
A former domain kiln still firing in a climbing kiln, using the same local clay and ash glaze.
Paper umbrellas hung with bells and foil, four thousand of them turned at once - a tool become a mass instrument of form.
Winter paper is made in freezing water; the speed and angle of the shaking mould decide how even the sheet will be.
Glazed Sekishu tiles resist snow and salt, and their red is what gives this coast's towns their colour.
Lanterns and guardian lions supplied to shrines across the region, each quarry's masons cutting differently.