Tottori Prefectural Museum of Art
A new prefectural museum whose purchase of Warhol's Brillo Boxes became a public argument about what art is worth.
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A new prefectural museum whose purchase of Warhol's Brillo Boxes became a public argument about what art is worth.
A hall in a cliff hollow that nobody can explain the building of - legend says an ascetic threw it there.
White walls and red Sekishu tiles along a canal, each household with its own stone bridge across to its storehouse.
For the photographer who staged figures on the dunes; a window frames Mt Daisen as if through his own lens.
One of Japan's largest Yayoi settlements, found just before a golf course was built and saved by local campaigning.
A timber baron's forty-room house, its earthen hall crossed by tier upon tier of local cedar beams.
A mountain hamlet no road ever reached, its board roofs and stone terraces unchanged since the 1950s.
The original 1930 wooden stations, turntable and water tower survive along the line, listed together.
Water rises in the riverbed and is bathed in where it stands, below three-storey wooden inns.
A spherical stone bulge was added to hold a failing wall - the only such structure in Japan, engineering turned into form.
A castle town of grid streets and running water channels, its lattice fronts still in place.
Glazed Sekishu tiles resist snow and salt, and their red is what gives this coast's towns their colour.
The path to the cliff hall is climbed by chain and tree root - the visit itself designed as an ordeal.
Thatched houses in the Chugoku mountains, their eaves pulled deep against snow and cold.