Ouchi Lacquerware
Made by the Ouchi lords for trade with Ming China: gold lozenges and autumn grasses on vermilion.
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Made by the Ouchi lords for trade with Ming China: gold lozenges and autumn grasses on vermilion.
Said to have been started to fund the rebuilding of Todaiji, and made here for over eight centuries.
Cut from a fine-grained local stone that grinds ink smoothly, its edges carved with dragons and pines.
Striped cotton that sold widely in the Edo period, lost, and reconstructed from surviving samples.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.
A married pair in Ouchi lacquer, their faces barely drawn - the form and the vermilion do the work.
Tea seeps into the crazing and the colour keeps changing - the maker does not decide when the bowl is finished.
The families of the abducted Korean potters still run kilns here - a transfer of technique preserved as lineage.