Nakamura Keith Haring Collection
The world's only museum devoted to Keith Haring; the route runs from a black tilted entrance out into light.
295 entries. Some places appear in more than one collection. Confirm visits with each facility.
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The world's only museum devoted to Keith Haring; the route runs from a black tilted entrance out into light.
On a closed school site, architects each built one work - from a circular block copying a Paris artists' hive to a tea room in a tree.
The home of a dyer who independently revived tsujigahana dyeing, which appeared from the Muromachi to Momoyama periods; his kimono are hung in rows that form one continuous landscape.
Shigeru Ban hung a paper-covered inverted cone over water, so its reflection becomes the mountain.
An 1875 pseudo-Western schoolhouse with balcony and drum tower - local carpenters' reading of Western form.
Built by Takeda Shingen to house a relocated icon; clap beneath its ceiling and the sound spirals back.
A house that supplied liquorice to the shogunate, its roof raised in three tiers for silkworm rearing.
No piers: timbers cantilever out from both banks in stages - a method invented because the gorge was too deep to stand in.
The start of the Yoshida climbing route, its painted Momoyama sanctuary standing at the end of a giant cedar avenue.
Lodgings for Fuji pilgrims: long narrow plots running back from the road, with a channel drawn in for purification.
Shingen ruled from a square residence, not a castle - his saying that people are the castle, left in the ground.
Rather than sealing the river, the levee is deliberately gapped to let water escape - engineering doctrine as landscape.
Trellised vineyards covering the slopes, where Japanese winemaking began; Meiji brick cellars still stand.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
A highland community founded by an American missionary, its timber lodge buildings still standing in the woods.
A railway at 1,375 metres, a single drawn line across the plateau that photographers return to.
From pseudo-Western schools to postwar modernism, Kofu keeps the layers of a provincial city's modernity.
A pilgrimage stop between two sacred mountains, its houses stepped up stone terraces on a steep slope.
Zen spread here under Takeda patronage, leaving medieval halls and images scattered across the province.
A street aimed straight at Mt Fuji, its Showa shopfronts and the mountain falling into one frame.