Fukuoka Art Museum
A late Maekawa building, holding everything from Buddhist sculpture to contemporary art, low along a park lake.
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A late Maekawa building, holding everything from Buddhist sculpture to contemporary art, low along a park lake.
Japan's fourth national museum, framed to show Japanese culture as it formed through exchange with the rest of Asia.
Head shrine of all Tenmangu; its temporary hall, by Sou Fujimoto, carries a living grove on its roof.
Where the float festival begins; one decorated float stands here all year, so the doll-makers' work is always visible.
Two square tubes projecting horizontally from a hilltop - nicknamed the binoculars, and a key early Isozaki.
A cluster of buildings from the port's trading heyday; its timber station was the first in Japan made an Important Cultural Property.
Where Japanese heavy industry began; its red-brick head office survives inside a still-working steelworks.
The novelist's Tokyo house rebuilt full size, library and all, down to how the papers were piled.
Its top storey overhangs the one below - the 'Chinese style' keep - beside a reconstructed shoin and garden.
At the heart of a cultural centre the Bridgestone founder gave his home town, built around two painters born here.
The steel headframe of a pit that fuelled Japan's industrialisation - including its reliance on convict labour.
Four hundred and seventy kilometres of canal serving daily life, farming and defence at once - saved from being filled in by residents.
A daimyo villa whose pond stands for the sea, ringed by 280 pines, with Western and Japanese wings joined.
A town of altar and lantern makers, where the workshops face the street and the houses are behind them.
A coal magnate's mansion, keeping the rooms and garden he prepared for his poet wife.
Its south face steps up in fourteen planted terraces; the 76 species planted have grown past 120, carried in by birds.
Isozaki commissioned six architects to build one block each; the experimental flats are still lived in.
Twice a year the setting sun lines up exactly with the approach, laying a band of light to the sea.
A canal cut through the middle of the site with curved buildings on both banks - a design that changed Japanese retail architecture.
A relocated Meiji weaver's house, with hand-weaving and top-spinning demonstrated inside it.
A castle moat turned park, modelled on West Lake in China, crossed by islands and bridges.
Whether it ever had a keep is still argued; the scale of the walls shows it was among Kyushu's largest fortresses.