Ryukyu Bingata
Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
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Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
Woven for the royal house; one of its weaves could be worn only by the queen and princesses.
Its tsuikin technique - lacquer kneaded with pigment and applied like clay - exists nowhere else; the court ran the workshops.
Potters left Naha for this village over smoke restrictions; a Living National Treasure built the first kiln, and nineteen studios are now gathered here, with shared climbing kilns and more.
Geometric flowers raised by floating threads; the craft died out and was reconstructed in 1964 from old cloth and older memories.
The village grows the plants, strips the fibre, splits it, spins and weaves - two hundred stems for a single bolt of cloth.
It began with melting down bottles the US military threw away; the bubbles the impurities caused were kept as the point.
Ramie split by fingernail into thread finer than hair, woven and then beaten with mallets to a sheen; over a year for one bolt.
One person carries the whole process from silkworm to finished cloth, dyeing with island plants and fixing in mud.
Five dots and four, read as a pun meaning 'for ever and ever' - the pattern a woman wove into a sash for the man she chose.
Storage jars are left unglazed and tableware glazed - the use deciding the firing, with nothing in between.
Planks sewn together with cord and bamboo pegs; because it can be re-sewn when it splits, it went far out to sea.
Known for fish and shrimp cut in line; found by the mingei leaders, he became Okinawa's first Living National Treasure.