Serizawa Keisuke Art Museum
For the Living National Treasure of stencil dyeing, in a stone building that ranks among Seiichi Shirai's best.
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For the Living National Treasure of stencil dyeing, in a stone building that ranks among Seiichi Shirai's best.
Ieyasu was first buried here, 19 years before the present Nikko shrine buildings; this is the prototype of the gongen style, atop 1,159 steps. A National Treasure.
Sixty years in the building; twenty-six of its halls are Important Cultural Properties, a rare concentration of late Edo polychromy.
Three National Treasures, in galleries remade by Hiroshi Sugimoto in black plaster to rebuild the light for the objects.
Flat tiles fixed to the wall with plaster ridged over the joints - fireproofing that became a black-and-white grid.
For Chohachi Irie, who modelled pictures in plaster with a trowel; plasterers came from all Japan to build the museum itself.
Nearly two hundred namako-walled buildings, the plasterers' art left where it belongs - on ordinary houses.
Built for a living painter; the world's largest holding of Bernard Buffet, in a building by Kiyonori Kikutake.
An inverted cone of cypress lattice whose reflection forms the mountain; the spiral inside stands in for the climb.
A two-storey sanctuary in a form found nowhere else, beside the spring where the pilgrim route to the summit begins.
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
The first castle keep rebuilt in real timber after the war, beside one of only seven surviving castle palaces.
For a Nihonga painter who kept returning to India; Fujimori built it of earth and paper, and visitors walk it barefoot.
The only reverberatory furnace anywhere that actually cast cannon and still stands; a World Heritage site.
The house of a hereditary magistrate, its great diagonal roof frame left open above the earthen floor.
The world's longest wooden footbridge, built to open tea fields and still re-planked and in use.
An imperial rest villa in timber, every room arranged to look through the pines to the bay.
Fuji's groundwater runs through the town centre, with stepping stones laid so people walk in the river itself.
A spa town of Meiji villas scattered on the slopes, each composed around its view of the sea.