Yamanashi Archaeological Museum
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 101 of 326
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.
Founded by a Nobel laureate with his own funds, and collecting women artists exclusively - rare in Japan.
A house that supplied liquorice to the shogunate, its roof raised in three tiers for silkworm rearing.
Granite towers left by weathering; the same valley yielded the crystal that founded the local carving trade.
No piers: timbers cantilever out from both banks in stages - a method invented because the gorge was too deep to stand in.
Lodgings for Fuji pilgrims: long narrow plots running back from the road, with a channel drawn in for purification.
Paper for calligraphy, made since the 1500s and still varied sheet by sheet to control how ink bleeds.
A paper town that also makes fireworks - the shells are wound from paper, so the two trades grew together.
Shingen ruled from a square residence, not a castle - his saying that people are the castle, left in the ground.
Rather than sealing the river, the levee is deliberately gapped to let water escape - engineering doctrine as landscape.
Trellised vineyards covering the slopes, where Japanese winemaking began; Meiji brick cellars still stand.
In the same park as the art museum, showing manuscripts as much for the hand as for the text.
Eight springs fed by Fuji's groundwater, visited in sequence by pilgrims - belief mapped onto terrain.
The exact spots Hokusai and Hiroshige drew can still be stood on, and the compositions checked against the view.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
A highland community founded by an American missionary, its timber lodge buildings still standing in the woods.
A railway at 1,375 metres, a single drawn line across the plateau that photographers return to.
Stone that weathers to rust-red, quarried for gardens; the craft includes choosing and setting it, not only cutting.
One of Japan's three great cherries: hollowed out and held up by props, standing as a form made by time.
From pseudo-Western schools to postwar modernism, Kofu keeps the layers of a provincial city's modernity.
A pilgrimage stop between two sacred mountains, its houses stepped up stone terraces on a steep slope.
A temple-gate trade in Buddhist implements, the beads turned and the tassels braided by separate hands.
Zen spread here under Takeda patronage, leaving medieval halls and images scattered across the province.
A jewellery quarter grown out of crystal carving, its cutting, setting and lapidary studios packed into the city.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.