Mt Kaikoma and Mountain Worship
A white granite peak worshipped as a body of the god, its climbing path punctuated by stone shrines.
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A white granite peak worshipped as a body of the god, its climbing path punctuated by stone shrines.
A street aimed straight at Mt Fuji, its Showa shopfronts and the mountain falling into one frame.
The keep is gone; only the rough-stacked stone walls remain, rising in the middle of the modern city.
In this basin the roadside deity is not carved into a figure but is simply a rounded stone - a form found almost nowhere else.
Thirty kilometres of cliff formed by pyroclastic flow, with halls dug sideways into the rock face.
Stone works built to tame a violent river; the terrain and the villages on it were shaped by that engineering.
Mulberry from the silk fields was worked into furniture once the trees were finished - a cycle of material and craft.
Rebuilt beside Zenkoji, its roof opened free to the public as a 'landscape museum' framing the town and mountains.
Holds the 970 works Higashiyama gave to the province, in a Taniguchi building reflected in still water.
A construction family's collection running from Yokoyama Taikan to European modernism.
Yayoi Kusama was born here; her polka dots run from the permanent gallery out to the sculptures and even the vending machines.
A hundred thousand prints gathered over five generations by one Matsumoto merchant family - the largest such private holding in the world.
Founded with one merchant's own money and one line of policy: beautiful things are beautiful.
The first pseudo-Western building designated a National Treasure, drawn by a local carpenter after trips to Tokyo and Yokohama.
A National Treasure keep, its black boards re-lacquered every year, with a moon-viewing turret added in peacetime.
The original Japanese craft fair, which established makers selling their own work and set the pattern for the rest.
For the picture-book painter Chihiro Iwasaki; the building lies low toward the Alps with no edge between museum and park.
For Morie Ogiwara, where modern Japanese sculpture began; built by donations from 300,000 local people.
A mountain photographer's archive, his images hung beside the minutely painted butterflies he also made.
Sculpture set inside a Romanesque-styled building, centred on Hiroatsu Takata, who studied under Rodin's shadow.
A picture-book gallery in a pine wood, showing the brushwork that printing always loses.
One of the world's great collections of Art Nouveau glass, including major works by Emile Galle.
Holds Fujisan, the only tea bowl by Hon'ami Koetsu designated a National Treasure, shown about once a year.
Shrines with no inner sanctuary, worshipping mountain and tree; every seven years giant logs are hauled down and raised at the corners.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.