Ilf Museum of Art
For Takei Takeo, who coined the Japanese word for children's illustration and made 139 hand-bound limited books.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 103 of 326
For Takei Takeo, who coined the Japanese word for children's illustration and made 139 hand-bound limited books.
Once the world's greatest silk-reeling town; a working mill next door still draws thread from cocoons.
The only museum holding two National Treasure clay figures - the swelling Venus and the masked goddess.
Only painters who died young; their drawings hang in a dim room, most of them made before the artist turned thirty.
Japan's only octagonal three-storey pagoda; what looks like a fourth tier is a skirt roof, and it is among the oldest Zen-style structures here.
A pagoda finished without its balconies or railings - called the perfect unfinished tower, its lack read as its virtue.
Said to last three generations; its striped and checked colourways follow local conventions.
Hokusai came here four times in his eighties; the waves he painted on a festival float ceiling are shown still in the float.
A contemporary Nihonga painter shown alongside the town's festival floats, carved in Hokusai's own era.
Private plots were opened for walking through, turning the whole town into one circuit - a landmark of Japanese townscape work.
Postwar Western and Japanese art collected in parallel, in galleries merged into a garden below Mt Asama.
A glass box in the middle of the resort, programming only Japanese art made after 1945.
Alternating arches of stone and glass drop bands of light and dark - organic architecture in the Wright lineage.
A full Western hotel designed and built entirely by Japanese hands, once called the Rokumeikan of Karuizawa.
The first town in Japan to organise its own preservation, under three rules its residents set: do not sell, lend, or destroy.
The longest post town on the Nakasendo: a kilometre of houses with jettied upper floors, lined with lacquer shops.
Iron-rich local earth in the ground coat makes it exceptionally tough; it grew as souvenirs for travellers on the highway.
Kiso hardwoods turned on the lathe and often left unlacquered, so choosing the timber is the real skill.
The moon reflected in each separate paddy - a subject for painters since the Edo period.
In a Meiji silk merchant's house, hanging Nihonga in the same rooms as its collection of old kimono.
Storehouses built on silk money, now kept alive by conversion into shops and galleries.
Two families keep two separate moulds and palettes in the same town - an unusual survival of parallel lineages.
Takato's masons travelled the country carving; one of them, Sadaji Moriya, recorded 336 images in his lifetime.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.