Tetsujin Monument, Nagata
An earthquake-hit district raised an 18-metre robot from a local cartoonist's comic, paid for by residents.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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An earthquake-hit district raised an 18-metre robot from a local cartoonist's comic, paid for by residents.
Among Japan's oldest spas; its woven bamboo baskets are said to have been used by Hideyoshi at tea.
A kiln that copied Chinese celadon, extinct for a century and now being revived.
Churches of many denominations arrived with the port; many fell in 1995, and their rebuilding shows its own era.
Nine separate gardens divided by earthen walls, laid over the excavated foundations of samurai houses.
Fog pools in the basin on autumn mornings until the fields read as a sea - crop, terrain and climate as one.
Roofs shaped to catch even north light for weaving, running along the river - form dictated by the trade.
The most systematic display of Japanese Buddhist art; its 1894 building is an Important Cultural Property, and the Shosoin treasures are shown here each autumn.
Clay figures moved from the hall and set at eye level, where before they could only be looked up at.
The Ashura figure gives a god of war the face of a boy; made in light dry lacquer, it has no equal from the 8th century.
So rich in Heian armour it is called a second Shosoin; three thousand donated lanterns stand in its grounds.
Grown from one collector's holdings of genre material - not only paintings but the costumes and ornaments in them.
For a photographer who spent fifty years on Nara alone; Kurokawa buried most of the building to protect the view.
Built by a railway company for its jubilee; Isoya Yoshida's low building rings a courtyard, and holds four National Treasures.
Reached through a garden that borrows the Todaiji gate and the hills behind it as its own scenery.
A quarter grown inside a vanished temple precinct, its townhouses narrow at the street and deep behind.
Over ninety percent of Japan's ink; soot and glue kneaded by foot and hand, then dried for half a year.
Said to descend from a method Kukai brought from Tang China; different animal hairs are sorted and blended in water.
Chisel facets are left raw and then painted in strong colour and gold - a technique born from shrine festival dolls.
Reddish clay under a milky glaze, painted with the naive figures known as Nara-e.
Ramie cloth whitened by water and sun alone, supplied to the shogunate for priests' and samurai dress.
An entire capital lay under farmland; its gate and throne hall have been rebuilt in timber at full size.
The impossibly slender Kudara Kannon, and a shrine once carpeted in beetle wings - the Asuka sense of beauty at its clearest.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.