Hanatori Otsuka Museum
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
7,801 entries / page 130 of 326
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
For a painter of the Inland Sea in high-keyed colour, and the museum lets you watch him leave his teacher's manner behind.
The only post town where both official inns survive as Important Cultural Properties, with the lords' rooms intact.
One dyer suggested each house hang its own curtain; a preservation district gained a layer of colour.
Farm baskets with no ornament at all - the form held entirely by the strength of the weave.
In an old farmhouse, comparing beckoning cats in clay, papier-mache and porcelain from every district.
Named for the castle's nickname: flowers and birds carved in relief on trays and boxes, finished in lacquer.
Recorded in 8th-century documents; a handful of workshops still make it.
A cotton and salt port, with the temple where the monk Ryokan trained on the hill above it.
The fourth-largest keyhole tomb in Japan, and climbable because it is not an imperial grave - evidence Kibi rivalled the capital.
Grassland kept open by burning it every year - a landscape that exists only because people maintain it.
A fan-shaped locomotive shed and turntable kept working - industrial geometry left legible.
Nine thousand naked men contend for a wooden token - a mass of bodies that reads as moving sculpture.
The largest of Japan's five sword traditions; roughly half of all National Treasure blades were forged here.
An 1889 spinning mill converted rather than demolished - an early case of industrial reuse in Japan.
The painter who bought the Ohara collection was a painter first; his own canvases show what his eye was trained on.
Samurai houses below the mountain castle, where the relation of fortress to town can be read in the terrain.
Stone-walled terraces along the mountain valleys, drawing the contours into visible lines.
Beside a designated scenic garden, and built around artists connected to Hiroshima and the crafts of Asia.
Japan's first public museum devoted to contemporary art, on a hilltop in a Kurokawa building of tile and aluminium.
Founded by a local bank as a memorial to those killed by the bomb; its Impressionist holding is among western Japan's best.
Kenzo Tange set it on axis with the Atomic Dome and lifted it on columns, so passing beneath frames the ruin ahead.
A Czech architect's exhibition hall, left as a steel skeleton beside the hypocentre and, after long argument, kept.
Won in competition by Tange: cenotaph, flame and ruin were aligned on one axis, and the city replanned around it.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.