Shokasonjuku Academy
Yoshida Shoin taught here for barely a year; from eighteen tatami mats came the men who made the Meiji Restoration.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Yoshida Shoin taught here for barely a year; from eighteen tatami mats came the men who made the Meiji Restoration.
A trial furnace that never worked, preserved exactly as it was - industrial heritage kept as a record of failure.
Where two Western-style sailing ships were built; the stone breakwater stands as it was.
The traditional furnace that supplied iron for the shipyard - old technology feeding a new industry.
Among the oldest surviving townhouses in Japan, with formal rooms built to receive shogunal envoys.
Five wooden arches built to survive floods, assembled almost without nails and rebuilt every twenty years.
A mountain castle and a valley residence linked by the bridge; the rebuilt keep overhangs its lower storey.
In the birthplace of Kano Hogai, who pushed Nihonga into the modern era; the museum traces how he got there.
The castle town of a Mori branch house, its lanes walled in tile-laced earth between temples and samurai houses.
Japan's first international open-air sculpture competition; sixty years of prize works have filled the park.
Cut from a fine-grained local stone that grinds ink smoothly, its edges carved with dragons and pines.
The Mori family mansion itself, holding Sesshu's sixteen-metre landscape scroll, shown each autumn.
One of the few provincial temples where a hall still stands on the original 8th-century site.
A merchant town whose goldfish lanterns are said to have been invented after a trader saw the Nebuta floats up north.
Striped cotton that sold widely in the Edo period, lost, and reconstructed from surviving samples.
Two pillars: a painter of Siberian internment, and the photographer who took the famous portrait of the novelist Dazai.
A painter who rendered his Siberian captivity as 57 canvases in black and ochre alone, shown in his home village.
Japan's largest karst plateau: white limestone pillars scattered through grassland, with ten kilometres of cave beneath.
Its piers were kept low and its line bent for the view - civil engineering made the subject of the landscape.
Senior retainers' houses, where the height of the gate and wall states the family's rank.
Chambered kilns stepped up the hillside; the slope and the number of chambers decide how the ware comes out.
Home of the folklorist who walked all Japan; his hundred thousand photographs record a way of life now gone.
A married pair in Ouchi lacquer, their faces barely drawn - the form and the vermilion do the work.
A population of white rat snakes bred here; the animal itself is both a natural monument and an object of worship.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.