Mori Family Garden
A Taisho garden for a former daimyo house, its stones and water placed for the view from the reception rooms.
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A Taisho garden for a former daimyo house, its stones and water placed for the view from the reception rooms.
A port facing the continent, keeping a British consulate and a trading company's block with a Japanese garden on its roof.
Tea seeps into the crazing and the colour keeps changing - the maker does not decide when the bowl is finished.
Terraced limestone pools like rice paddies, built up by dripping water over hundreds of thousands of years.
Citrus planted to give jobless samurai a livelihood now defines how the whole town looks.
An undersea coalfield that became a chemical industry; its plant structures now line the inland sea.
A performing tradition that died out entirely and was reconstructed in the 1970s, costumes and all.
Basalt cut by wind and wave into arches and stacks, most of it visible only from a boat.
The families of the abducted Korean potters still run kilns here - a transfer of technique preserved as lineage.
One strait crossed four ways - bridge, rail, road and a pedestrian tunnel walked beneath the seabed.
Empty townhouses turned into inns and studios - an ongoing test of how to preserve by using.
Ouchi patronage left many medieval images here, showing how the capital's style shifted in provincial hands.
Collecting on three axes - the human figure, this province, and the present - centred on how the body was depicted in the 20th century.
A thousand Western masterpieces reproduced full size on ceramic panels said to last two millennia - including works long destroyed.
Indigo leaves composted into sukumo; only a handful of makers remain, and most Japanese indigo dyeing still depends on them.
In an indigo merchant's mansion, with the fermenting beds and the whole composting process shown at full size.
Woven at uneven tension and then shrunk, so the surface puckers and touches the skin less - a cloth for heat.
On a dance four centuries old, where each troupe's matched coats and hats work as its emblem.
A Momoyama garden built from the province's blue-green schist, composed from the colour and shape of the stone alone.
Indigo wealth planted puppet theatre in the villages; dozens of their open-air stages still survive and still perform.
Carved larger than Bunraku's so they read from a distance outdoors; the master Tengukyu's heads are still in use.
A thatched village stage with a revolve, and painted sliding screens rearranged to change the scenery.
Great jars thrown on a wheel kicked by a man lying on his back while another shapes the clay - a method born of indigo vats.
A First World War POW camp where the prisoners ran presses and workshops - and gave Japan its first performance of Beethoven's Ninth.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.