Isamu Noguchi Garden Museum
Noguchi's studio and stone yard kept exactly as he left them - finished and unfinished works standing side by side.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Noguchi's studio and stone yard kept exactly as he left them - finished and unfinished works standing side by side.
It takes the mountain behind it into the garden; its pines have been shaped by hand, tree by tree, for three centuries.
Its moat is filled with seawater and swum by sea bream - one of three castles in Japan built directly on the sea.
Thirty-three houses moved from across Shikoku, with an unusual concentration of working buildings - soy sheds, sugar mills.
Inside the great garden, showing the province's everyday objects free of charge.
Granite so fine-grained it is called the diamond of stone; Noguchi settled here to work it.
Three techniques that all cut into built-up lacquer; the province has produced an unusual number of Living National Treasures in them.
Plant-dyed thread stitched over a ball into geometric patterns; the craft died out and was reconstructed.
The smallest of Japan's surviving keeps on its tallest stone walls - four tiers curving up like an opened fan.
Nine in ten Japanese fans; handle and ribs are split from a single length of bamboo.
A daimyo garden whose pond copies the eight views of Lake Biwa, centred on a 600-year-old pine trained flat.
Japan's oldest surviving playhouse; its revolve and traps are still turned by men working under the stage.
A giant coin dug into the beach and re-cut by the whole town twice a year - which is why it has held its shape for four centuries.
Tide pools left on the flats mirror the sky; a beach that photography discovered and turned into a destination.
A port enriched by soy sauce and sugar, its white storehouses and merchant homes now open to visitors.
Sugar pressed in cloth again and again to draw off molasses, then formed in carved wooden moulds.
Thatched stages built by island villages themselves, with the sloping shrine ground serving as the seating.
Eight hundred paddies stacked up a slope, with a kabuki stage among them - farming and theatre in one view.
Over twenty breweries still using wooden vats, their walls blackened by the fermenting culture itself.
Two festival islands where the works scatter through hillside hamlets and the lanes become the route.
For the inventor Hiraga Gennai, whose kiln pressed maps and Western pictures onto the surface of pottery.
Threads floated at intervals to raise the surface, so the cloth barely touches the skin in summer.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.