Contemporary Architecture of Kumamoto
Public housing from the Artpolis programme, scattered across the province and judged by how people go on living in it.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Public housing from the Artpolis programme, scattered across the province and judged by how people go on living in it.
Churches scattered through island villages, each paid for by its own congregation once the ban was lifted.
The masons who built Tsujunkyo left dozens of arches across the province, each betraying their school in how it is laid.
A mountain fort raised after a defeat abroad, against an invasion that never came; its octagonal tower is rebuilt.
Fire is swung in circles at Aso's rites; each village's masks are carved differently and repaired down the years.
On one night of the lunar calendar a mirage lines the sea with fires - recorded since antiquity, and the source of a place name.
A bamboo province making baskets and farm tools, their forms arrived at purely through use.
White quarry faces cut into the hills; the porcelain of Arita is made of stone carried away from here.
The road between Kumamoto and Kokura; its post towns keep enough houses to read the highway's scale.
Stone figures set around burial mounds, carved from Aso welded tuff and found almost only in northern Kyushu.
Thousand-year camphors in shrine precincts; Kyushu keeps an unusual number of these giants.
Kato Kiyomasa rerouted a river to plan castle and town as one; the layout of water and roads still shows it.
From the rim the whole 25-kilometre caldera falls into one view - scale itself becoming the landscape.
Its ground-floor glass folds fully open so street and gallery become one floor, under a timber lattice copying the province's basketry.
Built around the literati painter Tanomura Chikuden, and the tradition of painting as a scholar's sideline.
A lane cut through a tuff hill, with temples and samurai houses on both banks - a town carved out of the ground.
Begun as souvenirs for spa visitors and now producing Living National Treasures, built from eight basic weaves.
An art festival through the alleys and empty shops of a spa town, mixing work into the everyday of a tourist place.
A public bathhouse under a temple-like gable, still offering the sand bath in which bathers are buried to the neck.
Steam rises from all over the town - more springs and more water than anywhere in Japan, a city built on its own heat.
If space is available, admission is possible without a reservation; Kuma set black charred-cedar boxes to borrow the mountain behind them.
Residents chose to keep the fields and refuse development, regulating building heights and signs among themselves.
Temples across a peninsula where gods and Buddhas were never separated, linked by mountain paths walked as training.
A stone pagoda form found only on this peninsula, its base carved with lotus petals unlike any elsewhere.
BEFORE EXPLORING JAPAN · Getting to know Japanese culture
Two places you will come across on your trip. A shrine enshrines the kami of Shinto; a temple is a place to face the teachings of Buddhism and the Buddhas. Their entrances and the etiquette for visiting also differ.
A shrine honors Shinto kami; a temple follows Buddhist teachings. Learn how to recognize each place and visit respectfully.
Follow the guidance of each shrine or temple for the actual etiquette.